Some of these images have made me realise how important it will be for us to really get the BLACKEST BLACK in our projected images. True black will mean we can make parts of us invisible, in theory.
We also realise that in order to effectively have a foot of projection on the floor, the floor space should be covered in a material that is the same colour as the wall.
(look at the floor near the headlights on the car picture - I painted it white, but you can't make dark blue any whiter than dark blue!)
I think perhaps one of those seamless wall-floor screens that photography studios use would probably work well, as then it would be up to us to decide where the line is...if we even want a line, of course.
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